Ada Krenz

Paintings

About 

Contact

Paintings

About 

Contact

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Paintings

About 

Contact

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Paintings

About 

Contact

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Ada Krenz

Ada Krenz

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Paintings

About 

Contact

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Paintings

About 

Contact

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Paintings

About 

Contact

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Ada Krenz

Paintings

About 

Contact

Ada Krenz, born in 1996 in Warsaw, completed her bachelor's studies in design at the Academy of Fine Arts (2017-2020). In 2020, she moved to Denmark, where she pursued her master's degree in textile anthropology at the Design School Kolding (2020-2022). Currently, she is residing between Denmark and Poland and expanding her artistic activity further around the world. In her creative pursuits, she explores dilemmas, questions reality, and theorizes concerns using disciplines from textile design, art, and anthropology. Through textiles, she experiments with form, color, and the language of communication, situating her art within the realms of metaphysics and existentialism. By embracing the complexities of life, she tries to express the inner chaos of human nature and find peace amidst this turmoil, a balance between the struggles and the beauty of life.

 

Her paintings, "Painting and Dying Textiles," are textile artworks that emerge from the depths and darkness, the chaos, and disaster, with no future, no hopes on the horizon, and a constant fight with expectations. Textiles are first dyed with the batik technique, from which white figures on a colored surface emerge. They seem so calm, pure, and innocent, yet there's an underlying discomfort, an unsettling emptiness. This distressing harmony needs to be destroyed to achieve the true balance that answers the chaotic and strange human nature. Following crowded and reckless painting brings the depth of the mania to the surface and reunites with the denied and repulsed distress. It’s a practice of letting go.

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